Archive for the ‘Inverness and East Highland’ Category

• The final stretch

  Date: 2011.05.23 | Category: Aberdeen City and Shire, Crafts, Inverness and East Highland | Response: 2

  Only a few more days in the workshop until the chairs are finished so I thought I would post a sneak peak of what exactly I have been up to over the last few months.

  The initial chairs or aboriginal chairs as  like the call them were finished some time in early February, and since then the have been cut in half, sanded, dyed, coated in rubber and upholstered.

  

   

  …all I need to sort out now is the layout for the exhibition.

• Crafting Together

  Date: 2010.11.29 | Category: Aberdeen City and Shire, Argyll and the Islands, Artforms, Caithness and Sutherland, Crafts, Inverness and East Highland, Lochaber, Moray, Orkney, Outer Hebrides, Perthshire, Regions, Shetland, Skye and Wester Ross | Response: 0

  Crafting Together

  Many of our projects address the need for our makers to get together; sometimes in a formal way through events such as Makers Days and at other times it just happens that the people involved hit it off and before we know it an informal group has emerged with very little intervention on our part!

  Feeling isolated can be a real problem when you live and work in a remote area and anything that can be done to help with this is a really positive and essential aspect of the work we do.

  Informal groups have sprung up from Makers Days, our visit to Stroud International Textile Festival, from our Making Progress mentoring project and many of the research visits we have arranged.

  Emails and social networking go a long way but sometimes you can’t beat a good blether over tea (and cakes!).

  Our latest visit to London and Craft Central brought this home once more.

  Members of Craft Central are part of a network of UK makers who can rent studio space in two wonderful buildings in Clerkenwell and participate in many of the events organised there including Open Studio selling days and exhibitions as well as business support and workshops. For obvious reasons a large number of the makers live and work in London but some (and that includes several from Scotland) use the organisation as their London studio, giving them an affordable way of reaching new markets but also the opportunity to meet other members.

  Makers that I spoke with said that having the support system of the others in studios near by is one of the most important aspects of membership.

  Our makers don’t often have such a luxury so we need to do all we can to put our own systems in place.

  Through our Mentoring to Market programme we are delighted to be able to now have the opportunity for our makers to become members of  Craft Central and to benefit from a London base, new contacts and networks.

  We will be featuring more on this development on the website but it is one positive way of increasing our profile and gives our makers a chance to work together and with a new group of people.

  As we stopped to take a break at the end of a hectic day – and yes more tea and cakes were involved – we reflected on how to make the very best of our London connections.

  We are so fortunate to be based in an area that inspires and gives our makers’ work such a strong identity and now we can dip into city life and all the new opportunities that this will bring.

  Throughout the next few months we will be strengthening our London links and in May 2011 we will be showing our makers work to this new audience with our Highland Showcase.

  I can’t wait to see the results!

  After such an inspiring trip it was back to battling snow, delayed trains, flights and the cold road home and the reality of the distances involved between  London and the Highlands. Hopefully we can do something to make this less even if we can’t control the travel aspect!

  Pamela Conacher

  November 2010

  www.craftcentral.org.uk

• Profile Statement

  Date: 2010.01.30 | Category: Artforms, Crafts, Inverness and East Highland | Response: 0

  My work is created using both ceramic and bronze materials, work is either hand built or thrown using earthenware or porcelain clays, some pieces are formed using a selection of parts, which are then assembled by hand and fired up to temperatures of around 1100 degrees for earthenware and 1300 degrees for porcelain. My new work will attempts to combine both my ceramic and sculptural bronze portfolio by using a mix of both mediums within my forms.