Posts Tagged ‘Highlands and Islands’

  • Assemble

    Date: 2010.06.24 | Category: Artforms, Crafts, Regions | Response: 0

    Assemble

     

    On Tuesday I was in a very hot London for the Craft Council Conference, Assemble. Set in the lovely surroundings of LSO St Lukes, I had high expectations for the day, hoping to come home inspired and informed!

    The Craft Council used the conference to launch research papers as well as the giving us opportunity to debate economic innovation and the social value of craft in the new economy.

     I was fortunate to have Gilly Langton from Plockton with me (she had been funded through our Go and See programme, see her report http://www.hi-arts.co.uk/Crafts/go-and-see-visits-reports.htm) as I did not spot many other familiar faces. It is a pity, as one of the reasons for going to conferences is the opportunity to catch up with colleagues as well as making new connections!

    Although the Craft Council is billed as the national development agency for contemporary craft in the UK, I do find the London- centric slant of their programmes irritating. Every time they say that they are rolling out a programme for the UK I feel like saying ‘but not Scotland’ as whenever I have approached them about projects I would think could benefit our makers I have been told that they are only for England. Fair enough, as they are funded by Art Council England, but they should not say the UK when it is clearly not the case!

    Saying that, we do benefit from some of their programmes such as the work we have borrowed from their Collection for our exhibition, Made it – but it is very unusual for this to happen and certainly the first time work from their collection has been in the Highlands.

    As the day progressed I tried to make sense of what was being discussed and how it relates to the work we do here in the Highlands. So much talk of digital media and making sure we embrace it or we will be left behind! Possibly all true, but I do worry about the time and energy all this takes and how we are in danger of moving away from what craftspeople do –making beautiful objects with their hands- and hope we will not be left with makers with amazing skills in digital media who can throw a wonderful virtual pot but when faced with real clay are unable to do anything with it!

    I trust not and do have faith that makers are practical, realistic and love what they do, realising the huge importance of creating with your hands especially in these difficult economic times.

    By the end of the day I felt frustrated that I had heard so much before and that no clear idea of a way forward was being suggested, perhaps it was the heat but I felt the audience was not really engaging with the conversation and that it was a missed opportunity.

    However, as always it is important to go to events such as this, especially when you live in the Highlands, as it is too easy to get complacent about the work you do and forget about the rest of the world. Even if one comes away feeling slightly disappointed, there will still be benefits, even if they are just to confirm that we are on the right track here!

    As Gilly and I agreed on the train home, the best bit about going to London is getting the sleeper and waking up the next morning in the Highlands knowing that what we are doing is right for us in our area and that we are so privileged to be able to do this in such an inspirational place!

    Pamela Conacher

    24th June 2010

     

    www.assemble.org.uk   www.craftscouncil.org.uk

    http://craftresearch.blogspot.com/2010/06/assemble-london-session-1.html

  • Travelling Makers

    Date: 2010.05.04 | Category: Artforms, Crafts, Regions | Response: 0

    Our makers at Stroud, with Hazel and Pamela

    Travelling Makers

    From Shetland, Westray, Iona, Lochaber and Inverness, we arrived by trains, ferries, buses, taxis, planes and in some cases, all five!

    Organising Highland invasions like this seems to be an integral part of my job and one I relish. By the very nature of our location, we usually work in isolation and although this can be wonderful a lot of the time, sometimes we need to get out of our comfort zone and look at the rest of the world. The chance to meet with like minded people, to discuss and plan, inspire and enthuse and then to return home exhausted with a head filled with new ideas, friendships and contacts is essential for those of us who live here.

    Our group to attend the Stroud International Textile Festival was such a visit – all makers who were exhibiting as part of this year’s festival plus Hazel Hughson from Shetland Arts, Avril and myself from HI-Arts.

    We were also going to see how we could be involved in the festival in coming years and to look at ways we could translate this to the Highlands.

    Attending the festival was a great way to get our band of well travelled makers together and then to watch what happens as they realise that they are not alone in their struggles, that they  have all to leave and organise their workshops, families and life. That wherever we live, we have similar needs and demands.

    Where the Highland and Islands are different from most of the rest of the country is that we have serious transport issues to address; getting supplies, organising exhibitions, meeting other makers and organisations take on a whole new dimension when you have to deal with ferries,planes, weather and single track roads.

    Our Stroud trip confirmed that this is something that people in other parts of the country have really no idea about. I heard one comment at our networking supper that seemed to sum this up, ‘Shetland, is that where they make Harris Tweed?!

    Hazel usually takes out her map at this point and then shows the bemused person where Shetland sits in relation to the rest of the country, and when they also realise that the Highlands are a huge area geographically and I tell them that my commute to Inverness is a 5 hour round trip, they get some idea of the scale of the area we cover!

    Perhaps this is why our makers work really demonstrates such a sense of place. Looking at our groups work at Made in the Highlands at Made in Stroud you are struck by the way the colours reflect our area, the quality is outstanding and the designs are  contemporary but still retain the essence of our heritage, something that was commented on by so many people.

    I hope by taking groups to other areas, our makers go home feeling less isolated and that the places and people they visit have a better understanding of where we come from and what we do. And best of all, I look forward to makers getting back in touch to tell me about their new plans and projects as a result of their trip!

    Next week we are off to London and Collect with a new group, so watch this space for my update on that visit!

    Pamela

    www.stroudinternationaltextiles.org.uk